Alto Jezza gives us his personal account of our special recording weekend to produce our ‘By Special Arrangement’ album. We wouldn’t have been able to do it without your help, so to each and every one of our backers, a HUGE THANK YOU!
In January 1967, David Bowie was recording his first album in what was the ‘DECCA” building in north London. That building is now owned by the English National Opera, and in the January of this year, it played host to the Pink Singers recording one of their most ambitious albums to date. Whilst we may not have the fame and reach of the late, great Mr. Bowie, we’re certainly trying to keep up to speed with his ability to promote equality and acceptance. Not forgetting we can easily match his entire career in terms of how much glitter is on stage during any one performance. I like to think he would have approved.
As a Pinkie who only recently lost ‘newbie’ status, I was as excited as I was nervous to jump on board such a large project that involved so many members and friends of the choir, including a few from before my time! I can honestly say this is the first CD recording I’ve been somewhat heavily involved with, but I’m secretly hoping it will not be my last. I doubt I’ll convince the entire choir to do a CD every season…but you never know 😉
The recording days were a lot of work and without the wonderful Murray Hipkin at our helm it may well have sounded akin to anything ‘performed’ by the intoxicated rabble that appear outside my house in Bethnal Green at three o’clock in the morning. (Ok, some of the takes resembled this unique ‘Dawn Chorus’ but we’re not using those ones, promise). Everyone sang their hearts out and maintained the work ethic and passion of any professional, which made it all the more sweet for me, as I knew where the project had started, and I couldn’t have been any prouder.
How it began
On a warm summer’s day in August 2015, I arrived at my first ever Management Committee (MC) meeting for the Pink Singers. It was the start of only my second season as a Pinkie, but my section had voted me in as section leader for the altos, and that meant joining in with the committee. Choir business is watched over by the MC, and, for the most part, special projects and occasions are spearheaded by its members.
The choir has produced CDs before (see our shop for how to buy them) and there was talk of a new one as the coming season was so personal to the choir. Called ‘By Special Arrangement’, the repertoire featured songs that had been arranged and written by current or former choir members, and some by external composers who had written tracks especially for the choir. As Pinkies past and present have a lot of talent, we were spoilt for choice. Simon, our Chair (known as ‘Cher’ to…well…most people) asked if anyone wanted to head up a CD recording as Project Manager. It was one of those moments where I suddenly noticed I’d put my hand up and then wondered why I’d done so.
Anyway, I’m thrilled I did. Simon is well versed in music production, and Murray is a professional with many years’ experience under his belt, so in many ways my job was super simple, just making sure that the right minds were in touch with each other, and through the wonder of Skype, I was able to video call Simon and ask anything from ‘What dates shall we consider for a recording?’ to ‘Should I have a fringe?’. I get distracted easily.
Our main concern was the financial side of things, raising the money was going to be a big task and we knew it. We looked into Crowdfunding and put a campaign together. A simple, friendly video of humble and happy Pinkies appealing for support was made, and edited by the wonderful Jess Cheeseman (also an alto like myself, y’know, just saying…).
It was a greater success than we could have imagined. We had a three week campaign to raise the necessary £5,500, and we raised it in just under a fortnight. We were both amazed and thrilled, and decided to risk a ‘stretch goal’ of another £1,000 in order to have a string quartet playing with us. When all was done we raised a whopping £6,952 thanks to our 145 backers. We adore each and every one of you.
Giving back
The decision to give away 20% of each sale to our chosen charities was an easy one. 10% (£1.20 from each sale) went to Diversity Role Models who are seeking to make schools and colleges more LGBT+ friendly spaces, and they’re doing a marvellous job. Admittedly I’m slightly biased, as I work for them as a freelance facilitator, but it was lovely, and useful, to have a personal connection with them, especially as other Pinkies have worked for them as well. In some ways I can thank my work for them in getting me to join the choir. It amazed me how much good it did me being in the regular company of like-minded queer people (and queer-friendly allies). I realised I had a paucity of this in my life, so joining an organisation like the Pinkies was in some ways an obvious step that I needed to take, and I’m still brimming with gratitude that I got in.
The other 10% (£1.20 from each sale) went to the amazing Albert Kennedy Trust who work tirelessly to help young LGBT+ people who are homeless or living in a hostile environment, simply for being who they are. Their offices are near where I live, a stone’s throw from Hoxton overground Station (a location which, I think, still makes me vaguely trendy). One night last October, I came out of the station, alone, into the freezing night air. A young homeless man, James, was sitting on the floor sobbing. He had just been slapped by a young man who had run up to him to gain momentum in his revolting assault. Sadly, this is all too common I am told. I spoke with James for a little while, and was able to give him enough money to get a night in a shelter. I’d met him once before and knew what a few nights of safety would do for him so I was happy to help, but couldn’t help but wonder ‘Whatever next?’
Now I don’t know why James found himself homeless, I admit I did wonder, but it’s none of my business. However, as I met him virtually next door to the Albert Kennedy Trust’s office, it was a stark reminder to me, as I walked to my warm and safe home that night, that so many people like me can end up like James…simply for being like me. If our contribution can stop someone from ending up like James, alone and feeling unloved, simply for being like us, then that’s probably the greatest success that we can hope for.
The recording weekend
In conclusion, I’ll go back to the beginning… Well, the beginning of this blog post anyway. The days dawned bright and crisp, and the Pinkie family descended onto an unsuspecting West Hampstead. We brought tea, cake and birthday songs for a few of our number. In all we had a wonderful, almost celebratory, weekend whereby we revelled in each other’s company and enjoyed our shared talents. The best bits about being a Pinkie really.
On day two I fell victim to the nasty cold I had been fighting and lost my voice almost entirely… I know, terrible timing eh?! On the upside, I had the unique experience of sitting on the outside and hearing, as an entirety, a choir and a sound that I am usually slap bang in the middle of. It was bizarre. I heard all the parts with a different ear, felt different vibrations throughout my body and heard us the way everyone else hears us. To say I had goose bumps would be an understatement. I know I’m biased, and I know we’re not the only decent choir in the world, but for a moment I saw with a new clarity what we really are. Different but the same, unique but connected, ourselves and a whole. Without wanting to sound over the top, I think I sensed the ‘Pinkie magic’ that so many of our generous audiences have claimed to have experienced, and you know what? I think they’re onto something…
Year: 2016
Popping the Pinkie Cherry
Newbie alto Rosie relives the ride that was her first season as a Pinkie…
As terrifying as the phrase sounds, ‘popping the pinkie cherry’ – or performing in your first concert – is nothing to be frightened of. Instead, it was a beautiful end to a whirlwind season.
Along with the other newbies, I started in September with trial sessions and auditions. I remember the excitement of those first weeks: watching the reunions after summer, listening to the repertoire for the first time, being welcomed at the post rehearsal socials, and having to face Monday mornings afterwards…
As great as the Pinkies people are, and they are really great, I think it is the music that really draws you in: it’s what you devote four hours to every Sunday. I was really looking forward to singing Chandelier as it’s one of my favourite songs, and Sia is one of my favourite artists. As one of the younger members of the group, I also think I had a bit of a headstart on this number as one of our more ‘modern’ pieces… However, I’ve also loved discovering songs from before my time – Kate Bush and Joni Mitchell are now firm fixtures on my playlists – as well as learning poignant contemporary pieces such as bass Chris Chambers’ Quando Desinet.
We also had a baptism by open-mic fire at the weekend away in Carroty Wood, where Eimear, one of the other newbies, blew us away with her solo. “There is a wonderful balance between the social aspect of being in a choir and the high demands of the work. I felt supported instantly when I joined, particularly when I participated in open-mic night at the weekend away!” Clare and Jamie, other newbies, also made brilliant solo debuts alongside a newbie group performance of Miley Cyrus’ The Climb. I am not a solo singer, and was quaking at the thought of this, but we were ably rehearsed and supported by our multi-talented tenor, Hsien.
The hard work definitely started to pay off after our first public performance at Selfridges. This was the first time we had sung without having our music with us, and was a big step towards being concert ready. It was encouraging seeing a positive audience reaction for the first time, proven by the amount of people recording us on their mobile phones as they travelled by on the escalators!
The concert itself was a another giant leap. During the tech rehearsal, even though we were concentrating like a sports team preparing for a big game, I just wanted to step back and take in the performance we were creating. I loved seeing it all fit together – the smoke, the lighting and the accompaniment. All too soon it was over, our kazoos could be put away, and we were back from the land of Zanies and scootering nuns to friends and family and post-show celebrations. However, for me at least, the season has been one long celebration of being proud of who we are and what we can do. Eimear again put it perfectly: “My experience with the pink singers has been eventful and positive from the beginning… One thing is for sure, I’ll be back next season to relive all the fun again!”
By Special Arrangement
Cadogan Hall, London

Philip, a longtime member of the Pinkies, looks back on a concert of some of our most special arrangements…
Our winter concert in 2016 showcased the diversity and talent of our members through their very own choral arrangements and compositions. Most pieces were specially arranged for the Pinkies by choir members, along with some iconic classical commissions. Well, we needed an excuse to sing Handel’s Zadok the Priest! Also included was a piece specially commissioned for our 30th Anniversary in 2013 from composer Richard Thomas: I, Choir.

The concert opened with an arrangement of the Electric Light Orchestra’s Mr Blue Sky by Michael Derrick, who joined the choir in 1987 and has been arranging songs for us ever since. Kate Bush has many fans in the choir and two of her songs were featured: Running Up That Hill (arranged by Simon Pearson) and This Woman’s Work (arranged by Andy Mitchinson).

One of our most prolific arrangers is Chris from the basses, who joined the choir in 2008. We sang his first ever arrangement for the Pinkies, Bob Dylan’s Make You Feel My Love, as well as Chris’s arrangements of Frankie Goes To Hollywood’s Relax and a new version of epic pop hit Chandelier by Sia. Soprano Naomi came up with a fabulous arrangement of Video Killed The Radio Star, while ex-Pinkie Fran composed some beautiful music to the poem Lake Isle of Innisfree by the Irish poet W.B.Yeats.

The concert also featured two talented home-grown small groups comprised of current and ex-Pinkies– the bubbly Barberfellas (www.barberfellas.com) and the high-spirited Gin and Harmonics (www.ginandharmonics.com). For those of you who missed the concert most of these pieces were recorded for our latest CD appropriately entitled By Special Arrangement.

Timeline datestamp: 14 January 2016
7 reasons to go to a Pinkies' concert
We take a look at why – if you haven’t already – you should consider coming to see us in concert on Saturday!
- We are ridiculously good looking.
2. We promote equality and diversity. The Pinkies have marched in London Pride 33 years in a row. Read our latest post here.
- We do acrobatics a-la Dirty Dancing.
- You get to listen to one of Philip Rescola’s amazing intro speeches. (He’s been practising.)
- We have mastered the craft of choreography.
Better than a West End chorus.
- We take ourselves really, very seriously. Take our current Chair for example:
- At the end of the day, we are just bloody good singers.
So when are we next performing? Funny you should ask – it’s this Saturday!! Come see us perform By Special Arrangement with special guests the Baberfellas and Gin & Harmonics.
Saturday 9 January 2016 7pm, Cadogan Hall, Sloane Square.
Tickets are from £10-40 and are selling out fast. get yours here!
Our Special Arrangers!
This Saturday’s concert, The Pink Singers: By Special Arrangement, is all about celebrating the sheer musical talent within our 90-strong chorus. Let’s take a look at some of the Pinkies behind the magic!
Michael Derrick
Michael has been in the choir for 29 years; his first arrangement for the Pinkies was of Tom Robinson’s Glad to be Gay in 1988 – their take on the song needed updating as women had just joined the choir.
His style of arranging varies from piece to piece; he enjoys playing to the strengths of the choir and says he starts by “identifying the essential features of the song, then I try to forget all the performances I have heard, and construct the arrangement as if it were an original composition.”
Simon Pearson
Simon has been a Pinkie since 2012, but has been arranging music ever since he started playing the piano at the age of six! His first arrangement for the choir was in fact for a string quartet, to accompany Kirsty MacColl’s song They Don’t Know in our 30th anniversary concert.
Simon says, “I try to understand the message and motivation behind a song, before beginning to arrange it to be effective for a 90-strong choir. The results can therefore vary greatly when comparing the piece to the original!”
Naomi Berwin
Naomi is also musical director of one of our guest choirs – Gin and Harmonics – and first started arranging music for her a capella group in 2010. She loves the a capella style, and often uses voice in place of instruments in her arrangements. Her take on Video Killed the Radio Star is in fact Naomi’s first non-a capella arrangement – although you may still hear that style coming through!
Her first Pinkie arrangement was performed last year: a fabulous version of Nina Simone’s Feeling Good.
Chris Chambers
Chris joined the choir in September 2008; his first arrangement for the Pinkies was of Dylan’s Make You Feel My Love in 2011. He loves to play with interesting harmonies, often involving eight parts.
Chris admits he is careful when it comes to choosing pieces to arrange: “A piece of music usually has a key factor which makes it a favourite piece of music. Sometimes that factor can be enhanced by arranging it for choir; sometimes it would be lost. For me, arranging a piece has to be about hearing it in a different light, accentuating the things I like about it or creating something which is satisfying to sing.”
Murray Hipkin
Murray has been musical director of the Pink Singers since 2010. His first arrangement for the Pinkies was of Lisa Lan, a beautifully atmospheric Welsh folk song, in 2012. When it comes to arranging a piece, Murray likes to start with the vocals and to establish the melody, before working on the other parts. He says his style “depends on the piece – but I like to stay quite faithful to the original source.”